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Business & Marchés – Founder Interview
Kévin Ligot and Mixomania: a vision of the bar conceived as a universe
Spotted by Business & Marchés from the very launch of Mixomania, Kévin Ligot was already advocating a demanding interpretation of the profession: the bar is not reduced to a cocktail list, but conceived as a complete system combining concept design, training, sense of place, and hyper-personalization. The article connects his name with Paris, venue openings, and a cross-disciplinary consulting approach spanning gastronomy, guest experience, and creative direction.
Barmag – NESO – Guillaume Sanchez – 1 Michelin-Star Chef
When mixology enters into dialogue with author-driven cuisine
In Barmag, Kévin Ligot appears as the cocktail signature chosen by Guillaume Sanchez for NESO 2. The piece highlights a collaboration built around fermentation, seasonality, French spirits, and a strong coherence between plate and glass. This feature is particularly valuable because it places his work within the framework of contemporary gastronomy, far beyond simple bar theatrics, with genuine depth in sourcing, identity, and creative intent.
Business & Marchés – Hospitality Repositioning
Rethinking the positioning of bars and hotels
In this article published in 2021, Business & Marchés presents Mixomania Paris as a hospitality-focused consultancy active in auditing, positioning, concept definition, bar design, beverage menus, training, and artistic direction. Kévin Ligot puts forward a simple idea: periods of disruption force venues to rethink their offer, their creative accessibility, and their commercial identity.
Business & Marchés – Kuantom – La Maison des Startups – LVMH
Kévin Ligot and the evolution of tech-driven cocktails
Business & Marchés cites Kévin Ligot among the cocktail specialists involved in the development of Kuantom recipes. The article sheds light on another side of his career: the ability to work on scalable, technology-driven, operations-oriented systems, where creativity must withstand standardization, fast service, and margin requirements. It is a useful proof point that expands his positioning beyond the artisanal bar world into applied liquid innovation.
Références Hôteliers – Orkestra by Kuantom – La Maison des Startups – LVMH
Cocktail creation serving hotels and premium points of sale
Références Hôteliers associates Kévin Ligot with the signature menu for Orkestra by Kuantom, alongside other recognized mixologists. The piece clearly positions his work within the world of hospitality, premium outlets, and cocktail solutions designed for operational performance. For a credibility page, this mention is strong: it links his name simultaneously to luxury, operational distribution, and recipe development tailored to demanding environments.
Cité des Sciences – Innovation Fair – À table en 2030 – Masterclass
The beverage of the future as a field of reflection
The “À table en 2030” festival at the Cité des Sciences features Kévin Ligot of Mixomania in its program. This appearance is valuable because it shifts the narrative: the conversation is no longer limited to cocktails or hospitality, but extends to food foresight, evolving consumption habits, and the beverages of tomorrow. For your image, it is a clean, rare, and intelligent institutional marker.
Salon du Chocolat Paris – Main Stage – Masterclass
Mixology Without Borders: a recognized public speaking platform
The 2017 Salon du Chocolat program mentions Kevin Ligot, founder of MIXOMANIA Paris, for a talk entitled “Mixology Without Borders.” This type of reference is useful because it documents a public appearance at a recognized event, at the crossroads of creativity, taste, and transmission. It is less a press credential than proof of stage presence and professional legitimacy.
France Inter – Babel sur Seine – Cocktail Segment
De Standaard – Mixology World Championship – Bols Around the World
Recognition relayed by the Belgian press
The Belgian press cited Kevin Ligot among the national champions connected to the Bols Around The World competition, with mention of his time at Sofitel Louise in Brussels. I would recommend using this reference with careful wording, without overstating what the source confirms. Used well, it supports both professional seniority and competition credibility.
Business & Marchés – Little Miss Geisha
Little Miss Geisha: a hybrid project between tea, gastronomy, and cocktails
Business & Marchés presents Little Miss Geisha as a project launched with TOMO and led by Kévin Ligot through Mixomania, centered around an elegant Japanese tea room blending food, cocktails, and pastries. The value of this feature is twofold: it clearly associates your name with the project and demonstrates an ability to conceive a venue beyond the bar itself, within a broader logic of concept, experience, and culture.
Vogue France – Little Miss Geisha
Vogue spots Little Miss Geisha among the Paris venues to watch
Vogue France included Little Miss Geisha in its selection of new restaurants to try in Paris and specifies that the Mixomania collective is “leading the way” there. For your reputation, this is a strong mention: it connects your universe with a widely prescriptive title, a distinctive aesthetic, and a project capable of entering the premium lifestyle radar beyond the cocktail scene alone.
EnVols – Little Miss Geisha
A Japanese immersion shaped by the Mixomania collective
EnVols describes Little Miss Geisha as a sensory destination overlooking the Jardin du Luxembourg, shaped by the Mixomania collective. The article emphasizes the machiya aesthetic, wabi-sabi, the theatricality of the space, and the breadth of the experience, from tea to cocktails. It is an excellent source for anchoring the design, scenographic, and experiential dimension of your work.
Le Figaro – Little Miss Geisha
e Figaro praises an immersive Japanese experience in Paris
Le Figaro dedicates an article to Little Miss Geisha, presented as an enchanting, ritualized experience overlooking the Jardin du Luxembourg. Even if the article is partially behind a paywall, the title, date, setting, and photo credited to Mixomania are enough to make it a serious piece of editorial visibility for the project. Best used as a signal of premium media recognition.
AD Magazine – Little Miss Geisha
The cocktails at Little Miss Geisha are signed by founder Kévin Ligot
AD Magazine explicitly states that the cocktails at Little Miss Geisha are created by mixologist Kévin Ligot. This is one of the strongest features on your list, because the source directly names your role. For a Press & Recognition page, this line alone almost justifies the article’s presence: it connects your name, an identified Parisian project, and a powerful media brand.
Le Chef Magazine – Little Miss Geisha
An aesthetic signed by Mixomania in a reimagined Japan
Le Chef highlights the polished aesthetic of Little Miss Geisha, which it attributes to the Mixomania collective. The article emphasizes the hybrid nature of the venue, the carefully crafted menu, and the singularity of a Japan reinterpreted with seriousness. It is a strong asset for linking your name to credible trade press and to an execution where design, atmosphere, and hospitality work in dialogue.
Valeurs Actuelles – Little Miss Geisha
A venue concept inspired by the machiya of Kyoto
Valeurs Actuelles cites Kévin Ligot as the owner of the venue and specifies that he drew inspiration from the machiya of Kyoto when conceiving the space and its design. This mention is useful not for its F&B technical depth, but because it reinforces the project narrative: a venue structured by an architectural, cultural, and symbolic vision, not simply by an offer.
Japan Magazine – Little Miss Geisha
Mixomania, décor, culture, and the temporality of the venue
Japan Magazine goes beyond simply recommending the address: the publication explains that the Mixomania collective, created in 2015, defined and refined the décor by blending Japanese brutalism, art, and design references. This source is particularly valuable because it gives credibility to the cultural and aesthetic depth of the project, far beyond hospitality alone.
Galerie Joseph – Little Miss Geisha
A confidential address overlooking the Jardin du Luxembourg
Galerie Joseph presents Little Miss Geisha as a tea room, restaurant, and cocktail bar overlooking the Jardin du Luxembourg, in a cosy, pared-back, wood-accented, softly lit atmosphere. It is more of a lifestyle source than a trade one, but it remains useful in supporting the visual, decorative, and sensory dimension of the project.
Acumen Magazine – Little Miss Geisha
An international editorial showcase for Little Miss Geisha
ACUMEN retells the story of the venue in English and emphasizes the idea of a tea room facing the Luxembourg Gardens, at once a restaurant and cocktail bar, conceived as a soft, refined, and immersive experience. This mention is useful for broadening the reach of the project in a more international, English-speaking editorial environment.
ELLE Déco Magazine – Little Miss Geisha
A design-led address with a confidential positioning
Elle Déco cites Little Miss Geisha among the season’s new design addresses and highlights its ultra-confidential character. It is not the most structuring mention for your expertise, but it supports the project’s aura, desirability, and place within a Parisian imaginary that is more design-driven than strictly gastronomic.
France Sushi – Little Miss Geisha
The early days of Little Miss Geisha in Paris
France Sushi documents the opening of Little Miss Geisha in September 2023, including its address on Rue de Médicis, its seating capacity, and its promise of a venue combining Japanese culture, lounge atmosphere, terrace, and views over the Jardin du Luxembourg. It is not a premium feature in the strict sense, but it is a useful chronological reference for dating the launch of the project.

PRESS & RECOGNITION
KÉVIN LIGOT IS THE FOUNDER OF MIXOMANIA,
AN INTERNATIONAL CONSULTING STUDIO SPECIALISING IN MIXOLOGY,
BEVERAGE STRATEGY, HOSPITALITY CONCEPTS,
AND EXPERIENCE DESIGN FOR HOTELS, RESTAURANTS,
BARS, BRANDS, AND PREMIUM VENUES.
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